Absalom, Absalom!

 

Absalom, Absalom!
Absalom, Absalom!
by Authors: William Faulkner
Released: 30 January, 1991
ISBN: 0679732187
Paperback

Sales Rank: 18,703

List price: $12.95
Our price: $10.36 (You save: $2.59)
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Absalom, Absalom! > Customer Review #1:
Faulkner at his best

This is Faulkner at his best (and, some would say, least comprehensible). The book integrates Quentin and Shreve (The Sound and the Fury) with Sutpen, the main character, beautifully. If you loved the gloriously neurotic Quentin Compson, this is a must-read book, as well as a beautiful portrait of what Faulkner sees about the American South.

However, what sold me on this book, and what made the entire journey through Faulkners labyrinth of parentheses more than worthwhile, was one line--the final line. The ending of Absalom, Absalom! absolutely blew me away and left me speechless. It was the perfect closing if I have ever read a perfect closing to any book.

This is one Faulkner novel a fan should not go without reading, but its not the one to start with; As I Lay Dying and The Sound and the Fury should be read first (in that order). In addition, it will enhance the readers enjoyment if s/he first familiarizes him/herself with the Biblical story of Absalom (its short and itll help, trust me).

This is a book I will keep for the rest of my life.




Absalom, Absalom! > Customer Review #2:
Confusing and Aggrivating, but Enjoyable Because of It

I struggled through this aggravating yet breathtaking book, but I dont think very many people can say theyve read it and not struggled through it for Faulkner is still experimenting with style, and in this novel, considered by many to be his masterpiece, he does this by writing confusing page-long sentences for which he became famous (or should I say infamous) - this overall effect, combined with Faulkners overuse of SAT vocabulary, makes the book a hard but worthwhile read; some read it and love every word of it, some read the first fifty pages and say its "unreadable" - I happened to really enjoy it, but then again, I am a big Faulkner fan, and these sentences Im writing are written in the same style Faulkner uses in Absalom, Absalom! - so if you think this style is annoying, dont even pick up this book! The story itself is told from a twisted angle: Quentin Compson (yes, the same Quentin Compson from The Sound and the Fury) hears the story of Thomas Sutpens life and of his desire to forge a dynasty in Jefferson, Missisippi, a desire which failed due to the actions of Sutpens children and of Sutpen himself - this story is told to Quentin from various different members of the Jefferson community (each account is slightly twisted or bias, and the reader, along with Quentin, is left to patch the "true" story together from the myriad accounts) in an attempt by Faulkner to show how a community tells and twists a story as it passes through the town - Faulkner masterfully succeeds at this, but in doing so, he only gives the reader enough information to just keep the story going, and things happen later in the book that explain the mysteries in the beginning. I recommend this book if you DONT read for quick, coherent plot development, but rather, if you like hearing stories told in unique ways, if you like figuring out whats happening on your own instead of having everything being told to you up front, if you can stand mile-long, ungrammatically correct sentences, and if you like Faulkner (warning, this is NOT a suitable introduction for a reader who is new to Faulkner), otherwise I recommend you stay away from this book, and if you really want to read Faulkner, start with something easier, like Light in August, or even As I LayDying, then perhaps move on to The Sound and the Fury and finally, when you think you can handle it, challenge yourself and move onto the confusing but rewarding world of Faulkners most twisted work, Absalom, Absalom!


Absalom, Absalom! > Customer Review #3:
Know what youre getting yourself into

I can understand why this book has so many 5 star ratings. Its ideas on the decay of the South are pretty brilliant and perceptive, and the plot is devastating. However, the language, although poetic, is enigmatic and completely exhausting. Whats more troubling is that every character in the book has the same way of talking, without ever stopping or completing a thought. Sentences literally go on for over a page. Apparently, thats how every single person talked in 1909.

"Not cowardice which will not face that sickness somewhere at the prime foundation of this factual scheme from which the prisoner soul, miasmal-distillant, wroils ever upward sunward..." This continues for quite some time. While an occassional sentence like this would add a sense of mystery and mysticism to the novel, when the whole thing reads like this, you get pretty tired. Another reviewer noted this sentence: "I became all polymath loves androgynous advocate." What?

I do like the narrative style though. You have a basic idea of the plot from the beginning, but pieces get filled in my different sources, leading to the overall picture of murder, decay, revenge. I didnt think the characterization was very good though, and that to me is the most important part of a book. Sure, you know who Sutpen is, but you dont really understand him. Ellen is called a moth, desperately clinging to the light but not understanding why. Thats pretty a beautiful simile, but not incredibly useful, since we dont know why Ellen is a moth, just that she is.

Basically, if youre going to read this novel, know what youre getting yourself into, and read it slowly, or youll have to go back a million times and re-read.




 
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