Analog Days : The Invention and Impact of the Moog Synthesizer

Trever Pinch and Frank Troccos new book, ANALOG DAYS, recaptures that feeling of celestial expectancy. Describing the development of the Moog synthesizer from kit-built theremins to the ubiquitous and glorious Minimoog, the book mainly concentrates on pre-polyphonic modalur synths and how the world embraced them, and then turned them into cheese-making devices a-la "Switched-On Whatever" albums.

Pinch and Trocco give us other ways to look at synths: they discuss women synthesists like Suzanne Ciani who never are mentioned in other histories even though Ms. Cianis synthesized commercial work is probably the heard electronic music ever. Though Moog-centric, the book gives us the background of the Buchla box, a sort of sprout-and-wheat-germ rival to the Moog modulars. While Moog turned the synthesizer into a keyboard instruments, Buchla kept his machines free of established interfaces, and established musical norms.

As a sythn-freak, I couldnt put this book down, even though much the material is duplicated in Mark Vails Vintage Synths. Vail, however, choose to be only a technical historian, while Pinch and Trocco aim for a more cultural view of the events surrounding the shifting of musical boundaries.

All your favorites are here; the unexpectedly successful Dr. Moog; the victorious but hubristic ARP company; the offhand eccentricities of EMS and their wonderful VCS3 named by Tristam Cary, son of Joyce Cary, the novelist. Don Buchla haunts the pages too, half Kesian merry-maker, half NASA sub-contractor with his silver, red and blue synths bleeping in the Haight. And good old Keith Emersons here too, flailing his ribbon controller across the arenas of America.

I recommend this book to anyone interested in electronic music, anyone interested in why their microwave talks to them, anyone interested in the history of 1960s.

Analog Days also has a really cool cover.