Anne Bogart: Viewpoints (Career Development Series)
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Anne Bogart: Viewpoints (Career Development Series)
by Authors:
Michael Bigelow Dixon , Joel A. Smith
Released: March, 1995
ISBN: 1880399806
Paperback
Sales Rank: 89,457
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List price:
$14.95
Our price:
$14.95
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| Book > Anne Bogart: Viewpoints (Career Development Series) > Customer Reviews: |
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Average Customer Rating:
Anne Bogart: Viewpoints (Career Development Series) >
Customer Review #1:
some of you are talking about A Director Prepares
These are supposed to be reviews of Viewpoints, the book about Bogarts technique. Some of you are reviewing A Director Prepares (which I recommend more). Dont get mixed up. Theyre very different texts.
Anne Bogart: Viewpoints (Career Development Series) >
Customer Review #2:
If youre looking for answers...go elsewhere.
Having been introduced to the concept of "Viewpoints" in a weekend directing workshop, I was eager to read more about it. After reading this book, I know less about "Viewpoints" than before I started. If youre looking for an insight into how Anne Bogart works (and she very well may be very talented - I dont know, as Ive never seen one of her productions) you wont find it here. There is much discussion about "the Viewpoints" and referrences to "the Viewpoints" and even definitions of "the Viewpoints", but as far as what Anne Bogart does WITH "the Viewpoints" I have no idea. One reviewer is correct - this book is a love story, written by people who think that Anne Bogart is the Messiah of Modern, er Postmodern Theatre. If youre looking to join in the lovefest, by all means, sign up. If youre looking for insights into how to work "the Viewpoints" into your work...youll be disappointed.
Anne Bogart: Viewpoints (Career Development Series) >
Customer Review #3:
Re: "Ohhhhhhhhh Lordy, when will it ever end?" by NY reader
I hadnt intended to respond, but when I read the review below I felt I must try to explain NY readers misconception about Anne Bogart and her attitude toward the audience. In the opening essay of this book, Bogart retells one of her first experiences with the theatre: she was fifteen years old, and she attended a production of Macbeth at the Trinity Repertory Company in Providence, Rhode Island. She writes that she was confused and disoriented by the language and staging, but that she left the theatre with a realization that she follows to this day: "Never talk down to the audience. It was immediately clear to me that the experience of theatre was not about us understanding the meaning of the play or the significance of the staging." Instead, she was able to experience the play "directly, in a visceral and fantastic manner."So, yes... Bogart does insinuate that the audience wont understand every play she directs--but she doesnt say this contemptuously. Even now, Bogart admits that she is often confused by productions she sees, and she writes that this feeling of confronting the unexpected and confusing is essential to quality theatre. She acknowledges that not everyone in the audience will understand because not every human can understand everything; indeed, not even one human can understand everything. The opportunity to reach beyond your boundaries, to traverse places where you arent entirely comfortable--that is one of the greatest assets of the theatre. And that devotion to the challenge of understanding characterizes every aspect of Anne Bogarts work. Bogart is an intelligent, creative, talented director--and this book is an excellent introduction to her poignant process.
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Anne Bogart: Viewpoints (Career Development Series) >
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